Joseph E. Yoakum

1886 - 1972 Spiritual Unfoldments

September 11 – October 31, 2015

Joseph E. Yoakum

Paradice[sic]Range near Damascus Syria South East Asia

4/23-69

Signed:  Joseph E. Yoakum

11 3/4 x 19 inches

Colored pencil and ballpoint pen on paper

Cumberland Mtns near Nashville Tennessee

Signed upper left Joseph E. Yoakum

Colored pencil and pen on paper

12 x 18 inches 

JY 158

a Granit mtn. Riverside Cal.

Signed lower left by Joseph E. Yoakum

Pencil and watercolor on paper

9 x 12 inches 

JY 160

Blue Mounds Highest Point, of Kansas State

Signed upper left Joseph E. Yoakum

Colored pencils and pen on paper

12 x 18 inches 

JY 157

Yoakum, Joseph
Ozark Mts St. Jeneeveive Mo. J-02-E
Pen, pencil, watercolor on paper
9 x 11 3/4 inches
17 x 19 inches (framed)
JY 105

Yoakum, Joseph
Moosehead Lake near Town of Rockwood in North Central Maine.
11/23- 65

Pen, pastel, colored pencil on paper
12 x 18 inches
18 1/4 x 24 1/4 inches (framed)
JY 108

Joseph Yoakum
Mt. Jura Between Switzerland and France and Lake Geneva in France.
Signed by artist
Pencil, colored pencil, ball point pen on paper
12 x 19 inches
c. 1965

JY 143

Paradice [sic] Range near Damascus Syria South East Asia

4/23-69

Signed:  Joseph E. Yoakum

11 3/4 x 19 inches

Colored pencil and ballpoint pen on paper

JY 156

Portrait of Joseph Yoakum
Photo Courtesy Prints and Drawings Dept.
Art Institute of Chicago

Press Release

JOSEPH YOAKUM

1886 - 1972

Spiritual Unfoldments

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In old age, living alone on Chicago's Southside, Joseph Yoakum began to make drawings under what he called "the force of a dream."  The Lord gave me instructions, "he said".  "My drawings are a spiritual unfoldment."  Yoakum's work is focused on a remarkable vision of the landscape.  Indeed, his great accomplishment was in expressing the interconnectedness, the oneness, the very structure of the world.  He invented a vocabulary of the most fantastic forms to encompass the range and sweep of his imagination.  In his pictures, great mountains expand and grow, opening up and out, punctured by pockets of trees, forests, and rivulets.

While the landscape may have provided the vehicle, his true subject is the astonishment, the adventure, and the discovery of the world.  His is a world full of meaning, a world of plentitude, a world at once new and familiar, surprising, known, one to be recognized and rediscovered.  Every work of art is the materialization of an almost indescribable personal experience.  Yoakum's incredibly rich and inventive body of work stands as a major achievement in visual language.  While Yoakum must certainly be laced in the great tradition of 20th century outsider and ivsionary artists, one must remember that his work, like all great art, transcends such arbitrary limits and categories.  

Joseph Yoakum's originality, his uniqueness, and his irreducibility ar e manifested in these modestly sized, powerful works.  He enlarges, deepens, and increases the magic and the wonder of the world around us and within us.

(Excerpted, in part, from YOAKUM, a 1982 Hammer and Hammer/ American Folk Art Gallery exhibition, Ken Hodorowski, Director)